PBR Streetgang
Legacy Member
Een uitstekende film.Mégane zei:wtf is dit voor iets?
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Een uitstekende film.Mégane zei:wtf is dit voor iets?
PBR Streetgang zei:Een uitstekende film.
camino zei:The godfather 1&3 vind ik echt de top.
Of een serie als Hannibal daar hou ik ook wel van.
Films als carlito way of donnie darko vindk ook super.
Alleen films als rec en the blair witch en die activitiefilms vindk maar nikske maar soit, we wijken wel ver af nu vd topic.

you refer to the part where she sets the man free after looking in the mirror... I very much agree that this is formative scene and that it could be interpreted as her connecting with humanity but I am not sure if her motives are at that point truly in line yet with something that we would begin to recognize as human. Remember that after she looks in the mirror, she also looks at a mosquito that keeps bumping into a glass pane as it desperately tries to get out. To me that was a flashback to the beginning where she picked up the ant from the other Johansson's body. it still all seemed rather cold and detached, almost as if she was running an experiment of sorts. I might be a horrible person for even coming up with this line of reasoning but at one point she asks the man, "you don't want to wake up do you?". She ends up letting him go but it's almost as if she's thinking that he, like that bug, keeps struggling to make something out of life but just barely manages it. It's not his fault that life treats him like shit, he just had the misfortune to be born that way. Just like we treat bugs like shit because well, they were born as bugs. Most people wouldn't bat an eyelash if you squashed one, they wouldn't notice its disappearance. In fact, they might even welcome the sight of a world without them. In short, she might be thinking that if he took a good long look at the cards he was handed, he would just off himself. Almost as if she were of the opinion that he should just give up and embrace sweet nothingness and that he only keeps struggling in vain because he doesn't know any better.jimjimgreen zei:I think the formative scene is the seduction of the deformed man - she sees a side of humanity, one which oppresses people, isolates others and begins to feel (shock horror) compassion. There's a moment where she goes downstairs and it's ambiguous as to whether she's killed him - we assume she has - and she looks in the mirror for what seems like ages. Bear in mind the role that mirrors have played in identity formation and this scene becomes a fully-fledged transformation.
Oh man, that's great! I can't believe I hadn't thought about that yet. I've thought of the original Johansson as either a human who got set free by another alien hunter who also had succumbed to emotion or alternatively, if the meat removing skin harvesting thingy didn't work on women, that she was the victim of a special operation that the bikers conducted to ensure that they always had enough lures to perhaps be able to make their quota or something.jimjimgreen zei:I interpreted the scene [Johansson stripping her double] as an 'earlier model' who had been themselves harmed - probably by a man in a similar way to the man who comes at the end of the film.
Hmz, I didn't pick up on that. The blue darkened tones and the way they moved with seemingly stiff joints made me think that they were just being preserved until later use. What do you mean they were after what was under it? Do you think they ate the meat? To me it looked like they flushed it down the drain or perhaps towards an incinerator (the shot of the human remains rushing faster and faster towards that slit in a wall which emanated red light.)EeZB8a zei:The guy who was already there had flabby skin like on an elephant, which is what the intentions was, like in The Silence of the Lambs and Buffalo Bill starving them to loosen the skin, excepting they were after what was under it.

AndySipherBull zei:Like in the book, there are clear castes of elites and workers, and the workers have no agency to reproduce and therefore no agency to change the system. She might be evolved or bio-engineered to be sterile or lack sexual organs, even though she seems to hormonally retain female characteristics. So her motivation is just an artifact of biology, she feels compelled to realize a sexual and existential identity of which she is incapable. Her genes can't be transmitted and this is her cage, there's no escape, but like the fly banging against the glass, she tries anyway. Her sentience and individual identity has been reduced to a cosmic joke since she is nothing more than a biological robot. Of course she'd metaphysically rebel, even though it's completely hopeless.
Then Glazer cuts back to the smoke rising, I think he's saying it's a bigger cosmic joke. Everyone's incredibly compelling, life-changing, identity-changing, world-changing, discoveries, experiments and theories are just failed metaphysical rebellions; just the carbon cycle.

mcgrewf10 zei:I think the choice of Scotland as a setting works on another level as well. As I was watching the film, I found myself struggling to understand the heavy Scottish accent of the characters. I was presented with all-but-nonsensical syllables, from which I attempted to create meaning. In this respect, I was in a position similar to Johansson's character. She is also trying to understand an alien language.

